"Lunatics" narrates the experiences of different characters who live in the cities of Buenos Aires, Mexico and Montevideo. Their stories intersect. The madness of the globalized world and the local reality, of each one of them, is affected just at the moment in which the North American president begins to send posts on social networks, eliminating all trade with China.

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"Who Is Lun*na Menoh" follows the life and work of the extraordinary Japanese artist. From her early career in Japan to the underground music scene in Los Angeles, from fashion show runways featuring her sculptural designs to art galleries showing her fantastical work, Lun*na's edgy, witty and beautiful creations are explored. Director Jeff Mizushima follows Lun*na's artistic career, showcasing her uniquely individual expressionism and interviewing her family, gallery owners, models, fans, and fellow visual artists & musicians to find out who and what Lun*na Menoh is and why her art, in all of its forms, fits in our world.

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As a child of working-class parents, 17-year-old Kevin reconsiders society and its injustices when his best friend Elias tells him about the benefits of the monarchy in his homeland. The two high-school students' reflections on the subject of history will bring them face-to-face with many of those who reject the idea, but also with the discovery of the real heritage of the French Monarchy.

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

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Young Anna is from Romania and old Noun is from Egypt. They are neighbours in a rundown building in Paris. They share the same interest in idle news but they hate to talk about themselves. Yet, old secrets are unveiled, little by little. The film ricochets in different directions. Fiction, biography, animation, mystery, detective story - the life of Monsieur Noun has too many stories in it to be captured in one form.